15 Speakers compared Celestion vs E.V. vs Eminence vs JBL vs Jensen vs Tone Tubby
Видео закачал: Riveraprod
Описание видеоролика:
This is a comparison for ear education. We compare a Celestion Vintage 30, G12-H30, K100, M70, Seventy 80, Gold Tone, Greenback, G12T-75, Jensen Alnico 12, JBL M222, EVM12L, Tone Tubby 40/40, Tone Tubby San Rafael 25, Eminence Tonker and Eminence Swamp Thang. All speakers were used with a Rivera Venus 6 and Gibson Les Paul. Used with the Venus 6 see more
http://www.rivera.com/products/venus/venus6_112.php
Тэги: Rivera Amplification Amps Gibson Fender Paul Reed Smith PRS guitars Venus Celestion Eminence EVM Electro Voice JBL Greenback Vintage 30 Tone Tubby Jensen
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| Dr. Z Z28 with Tone Tubby 12" speaker guitar amplifier demo with Les Paul | Rivera Guitar & Speaker comparison with KR7 for metal tones | Boogie Mark IV Celestion vs EVM12L (lead channel) |
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together the best speaker shoot-out I've seen on YouTube. Someone finally got it right. Great job Rivera!
to say the Celestion Vintage has got ' the sound' Thanks for making the video.
=)
hate G12T-75s!
+ 70/80 = budget win
tell ppl for a long time speakers make a big diffrence in an amp i use 4 jbls 2 are older from 80s 12 inch 4 ohm iron magnets the other are late 90s 4211-4212 i use them as subs thay where control monitors with mid n tweeter thay where blown so i made plates to cover holes soo my main are 6way
in old criterian cabs 4 tweeters 1 mid and the jbl iron mag and each has its own amp channel from a quad pyramid 650 watt amp in my studio its the best sounding system i ever owned
amp has to work at getting same gain\volume usaly @ 1 meter @ 1 watt this is somthing most players dont understand 2nd thing is the class the amp is mine is class A circutry considerd best runs on 12 volt dc verry low curent draw seeing it has an inverter built in to up the power soo transist
ors run full power then theres A B C PUSH PULL i recomend jbls or ev
the Eminence Swamp Thang and the Jensen speakers .
tape recorded like a dinosaur LOL" Um. LOL, like the shedload of top-dollar producers who use it to get specific effects, regardless of the required additional hardware, outboard and cost? You "go with workstations" do you? How many do you get through in a year? You must be a real PRO with your
bedroom recording facility.
or Chinese made?
work ok back then. they did the job. Some of them still use those boards cause they know them like the back of their hands and don't want to learn anything else. But, the fact is any pro tools package today can do what those boards do and more for way the heck less. But hey, even when there was
prove that the earth was rounded people still believed it was flat for a long time...
So, how do you
get two engineers and a producer operating a mouse at once? Have you ever *Touched* an LFAC or been in a real studio or do you get all this from other noobs off the boards?
and in incredible studios. " OK, then you should know different about tape and producer's preferences, even with as little as a hundred hours in non-major studios under your belt.
do what I use to do and more. we shouldn't get attached to old things and old ways. they are old for a reason. but anyway I don't even remember when this speaker conversation turned into an analog and digital war. now I'm going to delete my last comment cause I don't want to associate this accou
nt with me. this is my hobby account.
We should do whatever we want. I'm 80% dig. these days. The real fun is finding when things really do make a
difference to the final product, and getting chosen to do a job because of that insight and experience. And the technology isn't just about the tone or mojo. It is about working in a certain place and way too, as I alluded to by the mouse comment. Working in Air or Abbey Rd can do incredible thi
ngs for inspiration: Payoff. Anyhow; good luck.
don't last for ever, they brake like anything else.I don't need luck dude. I don't use tape. you might need it more than me. just remember not to stretch it out and keep cleaning them heads.
Gold and Celestion Seventy 80 all sounded sweet in their own ways. I guess that's why I like Vintage 30s.
the V30's, as every guitar board out there says they provide the best tone... After hearing this.. Plus the price difference... I'm loading my cab with either Swamp Thang or Tonker... Or a combo of both in a 4x12... Tonker seems to have better low end... And the Swamp Thang for lead tones...
vids like this?